Having had a period in my life where I changed cities 4 times in ten years, I practically have private studio building down to a science!
You'll need business cards, some resumes, and possibly a website [check out check out www.musicteachershelper.c…
Here is another idea, try going to a local park (weather permitting ) and just play to draw a crowd, then have someone pass fliers about your teaching times and levels and age requirements. I play there just for the enjoyment I am a adult beginner a…
Even if local schools don't know who you are, there's no reason you shouldn't go ahead and introduce yourself. Talk to the front office, ask if it would be okay to put up a flyer or two by the office or the cafeteria. If you have the opportunity, al…
here is what I saw last night at a ( pickin party ) here locally we have a music store that on Fri. nites after closing time he opens up for local talent to showcase there "new stuff" Well what draws me is violin/fiddle I noticed a lady kinda follow…
Copied and Pasted from Stings Daily Email ******How to Choose the Right String Teacher [Seems this would be helpful for a teacher also]
Choosing the right teacher may be the most difficult decision facing a beginning string musician. It’s a process…
Hello, Maybe Facebook could work? They have networks organized by city, workplace, school, and regions that people start or that you could join. Also, although craigslist wasn't much luck for you, it is the first place I looked to find a teacher. Ju…
I have been working with a studio for the last three years, and in that time I have also gained a few private lessons just by word of mouth and by meeting people and mentioning that I teach violin. Does anyone have any suggestions for other ways tha…
I personally have several adult students, and they are doing very well. I think every teacher probably has their own "specialties". I do best with students 7 to 70, but I know another teacher that does great with the younger kids, age 3 to 6. I thin…
These charts, accompanied by helpful instruction and performance notes, offer new interpretations of popular rock, jazz, and roots music—”alternative styles.” Players of all skills and levels will appreciate these well-written, easy-to-read alternative-styles arrangements and original compositions.
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